The 59th Annual Grammy Awards has now come and gone and it had some memorable moments with James Corden at the helm as the host. 2016 was a notable year for music so l was already anxiously waiting to see who would make it onto the shortlist let alone win. Some names were a given, some were a bit of a shock to me. Good and bad. But I am allowed to be subjective as long as it makes sense, no?
Chance the Rapper himself was one highlight of the entire night for me. One of the biggest shake-ups this year was streaming-only works being considered for nominations. The Head of the Awards said that ‘Colouring Book’ had nothing to do with it but numerous nominations say otherwise. On his debut to the awards, he gave the performance of his life, doing a mashup of some of Colouring Book’s favourable songs accompanied with Francis & The Lights, gospel choir, Tamela Mann’s raw vocals and Kirk Franklin as the coolest hype-man ever.
He praised God numerous times and mentioned his team aiding his artist independence in his acceptance speech for Best New Artist and also managed to take away the award for Best Rap Performance AND Best Rap Album. Many congratulations to him.
Beyoncé graced the stage with what looked like one of the most visually captivating performances of the night with the best use of what looked like holograms and special effects I’ve seen. Singing “Love Drought” & “Sandcastles”, her regal/goddess-like styling and concept was not a far cry from the recent baby photos that have hit the web and all the while she effortlessly sang and did not hide her beautiful, pregnant body. She also had a successful night, claiming two Grammys for Best Music Video and Best Urban Contemporary Album. I personally wanted KING to win the latter but Lemonade was a soniclly excellent album so it’s very well deserved for her.
Another one of my highlights was seeing Hip-Hop came out in full force on the night. It was only right that after legendary crew
A Tribe Called Quest dropping an album late last year, it was only fair that they perform on the Grammy stage.
Alongside Busta Rhymes and Anderson .Paak they gave one hell of a socially and politically ril
ed up artistic presentation with references to Donald Trump and the Muslim ban. Milit
arized perfection. Paak himself unfortunately missed out on Best Urban Contemporary Album.
Boy, did Adele have an interesting Sunday night. First of all, she initiated the show onstage under a spotlight with a moving performance of her hit song “Hello”. Brilliant. On the night itself, she had a Grammy clean sweep, picking up 5 awards for (clears throat) … Record of the Year, Album of the Year, Song of the Year, Best Pop Solo Performance AND Best Pop Vocal Album. That I wasn’t expecting. I would have liked to see Beyoncé pick up Album of the Year and apparently Adele thought so too; as she dedicated the win to Beyoncé and made both of them shed tears. To make her night more interesting, after a shaky start to her George Michael tribute, she accidently cursed and insisted to start again. I don’t know about you but I don’t call that ‘not being professional’, I call it ‘keeping it real’.
The night itself also saw tributes galore as to Prince expertly honoured by Bruno Mars and The Time; a tribute to The Bee Gees respectfully done by the likes of Demi Lovato and Tori Kelly and was topped off with John Legend and Cynthia Erivo combining to honour those who recently passed. It wasn’t a completely smooth show but that plus Corden and his quirky self definitely made a feast for the eyes.