Geography by Tom Misch – A whole lotta Soul

tom-misch-geography

What were you doing at 21? While some are graduating from university or starting their own career, seasoned producer, singer/songwriter and DJ Tom Misch was gearing up to release his debut studio album. A seasoned multi-instrumentalist, it took only one year at a conservatoire of music to realise that bedroom producing would be the avenue he would take in order to achieve his dreams. Now, after working with some amazing talent in front and behind the scenes, we have the culmination of efforts of his several self-released mixtapes and EPs – Geography.

Geography is an album that takes on many of Misch’s different influences. Main elements of Funk and Jazz are staple to his brand but also Soul and Disco in smaller parts cover the breadth of this album. Fans of his, especially long term, will appreciate even the most Tom Mischminute of details.

The intro “Before Paris” is a spoken-word like opener, with an unnamed man speaking on the importance of the art form – a relevant sentiment for an artist like Tom – and serves as of a prelude to set the tone for what essentially is the first track, “Lost in Paris” with a slick contribution from talented Grammy nominated US rapper GoldLink.

Bringing a clever fusion of two differing musical instincts and results in something pretty tasteful. It’s bright and upbeat, driven by eccentric electric guitar chords and groove bass finished with a jazzy brass section that is too die for. For a song that was inspired by losing a hard drive full of music, its surprisingly cheerful.

South of the River” ‘brings out the boogie’ with a real disco feel, packed with deep lying basslines and accentuated with violins that serve as the icing on the cake – something that in theory shouldn’t work but in reality it does. While there’s nothing disco about South London, Misch does a great job of saluting his hometown.

For how upbeat the album is from the offset and seems to be holistically, it isn’t without it’s slower jams. Take “Movie” for example. It’s eased into from the previous track with a little love story monologue and it then captivates with those trademark guitar inflections set against the soulful vocals from Misch. It also happens to be a family affair with Tom’s own sister, Polly Misch, adding to the blissful atmosphere it creates. Of all the downtempo tracks, probably one of the most powerful.

Another slow song that is worth notable mention is “You’re On My Mind” which for me evokes a warm fuzzy feeling in my core. Acoustic guitars are the perfect accompaniment for Misch’s take on a sweet serenade this time and gives off the perfect summer evenings kind of vibe.

As talented as Tom is and as eccentric the sounds laden on the album may be, it is the features on Geography that really elevate it and make it worth the listen. One being an unlikely pairing of Tom and legendary US Hip-Hop super group De La Soul on “It Runs Through Me”.

A heavily jazz inspired cut, driven by the electric and bass guitars and topped off with bright piano chords. Simple yet soulful and uplifting, the mood transports you to the late night jazz lounges. Props also to De La Soul who definitely make the song extra special, riding the beat bar for bar, making for a poised rap verse.TomMisch2

A couple tracks later, we are treated to hip-thruster that is “Disco Yes” with Poppy Ajuda. It’s undeniable by now that Tom loves his guitars & basslines. With some funky riffs and increased tempo from the previous tracks added to the mix, Poppy Ajudha’s guest vocals merged with Tom’s, it makes for one of the most impressive on the entire record.

For what it’s worth, “Water Baby” I believe is the best track on the album. Tom Misch enlists his fellow South Londoner Loyle Carner in this melting pot of groovy jazz, soul and hip-hop mixture. It’s signature Tom Misch’s style, blending hip-hop beats and soulful melodies, producing an eargasm that finds its place somewhere between passionate head-nodding and casual, easy listening.

Cos I Love You” serves as the penultimate track and rounds off the Disco bug that Tom evidently caught when making this album as he merges old styles with the new. It’s a mashup, of sorts, with samples and a borrowed chorus tightly wound together to form the most beautifully orchestrated dancing track I’ve heard in a while.

For an album that expertly executes a plethora of different vibes, it does suffer from what I deem as occasional ‘fillers’. While I can acknowledge that “Isn’t She Lovely” – Misch’s take on the Stevie Wonder classic – & “Tick Tock” serve more in the capacity of interlude, they don’t really add much to the flavour and texture of the album.

Having said that,” We’ve Come So Far” is a reasonable way to conclude proceedings as the experimental sounds of Tom’s repertoire progressively build on the track, each layer contributing to the eventual crescendo before fizzling out.
Despite critique, fans can be happy that we now have a full length project from the young singer/beat-maker that they can really stick their teeth into. It covers multiple bases; spanning different vibes and genres means there is something in there for most people. While there isn’t a flowing storyline or explicit theme per say, this can double up also as a portfolio, showing off Tom’s capabilities and emphasising his credibility as a top producer. He can only go from strength to strength from here.

Favourite Albums of 2017 part 2

I present to you Part 2 of my Favourite Albums of 2017 series.

Laila’s Wisdom – Rapsody

In the truest act of respect and dedication to her grandmother Laila, Rapsody gives us the most brilliantly underrated Hip-Hop album of the whole year. It’s the sort of album that transcends whatever entrenched gender biases that may still trouble the genre and puts her in the same category as the current greats. Not only is she your favourite female rapper, she’s one of your favourite rappers, period. It showcases Rapsody’s indisputable excellence as a lyricist. The opener and title track “Laila’s Wisdom” finds Rapsody regurgitating the guidance and wisdom passed on from her grandmother; self worth and empowerment – themes paired beautifully with Aretha Franklin’s “Young, Gifted And Black” as the sample.
61c8c7d4dd777c786a13e47c6a959fdd.1000x1000x1.jpgWith jazz and funk running through the core, Laila’s Wisdom, produced in large part by 9th Wonder, bares comparisons to To Pimp a Butterfly. The beats ALONE tell a story which you can easily get lost in. Kendrick just so happens to feature on this album too, on one of my standout tracks “Power” which explores exactly that. The power in the culture, the powers that be in society and power within themselves.
Ridin’” featuring GQ is also one of my standouts. The duality between loyalty and freedom is played out over a beat as smooth as butter. Such a joint you could play while you’re Ridin’ out too.
There are so many songs which I enjoyed listening to as a real Hip-Hop fan so it would be remiss of me to not include this. As a whole, it’s a smooth blend of self-assurance and vulnerability and has themes of quintessential Blackness as Rapsody makes Black womanhood sound untouchable one moment and  mortal the next.

 

4:44 – JAY-Z

“But i’m tryin’ to give you a million dollars worth of game for 9.99”

That line right there in my opinion perfectly summarises the essence of JAY-Z thirteenth studio album.
Not only is a ‘Blueprint’ (see what I did there) for business, but also relationships and life as a whole. In order to achieve this, 4:44 was tailored to be more personal than his previous efforts. which was to be expected from the infidelity scandal.
4-44_album_coverBut this is not necessarily a response to Lemonade but rather a statement of acknowledging where he is now and where he aims to be. By the end of the project, you feel what he has been aiming to do the entire album – leave his mark, his “Legacy” Acting as the concluding track, it also is one of my favourites. His poetic and reflective approach; if he was to pass away today, this could double up as a will and a eulogy. “Bam” with Damian Marley is also another favourite, not only for his flex of bravado but also because it’s a straight head banger.
Like for real. “Caught Their Eyes” is pretty dope too.
Almost all decisions made on this album were smart. 10 tracks on the standard edition make for a complete album with no ‘excess’ spilling out the sides. Minimal features allow for his messages to not be overshadowed. There is an excellent use of samples on every track which gives it an authentic JAY-Z feel. He and No I.D. have truly created something special here. Testament to this is its numerous Grammy nominations and No I.D. being nominated for Producer of the Year. Despite the whole Tidal/Sprint story, 4:44 is artistically sound. JAY-Z is Hip-Hop.

 

FR32 – Wretch 32

An album with minimal promotion, Wretch’s 2017 effort serves almost as a B Sides to his critically acclaimed album of the previous year, Growing Over Life. While the previous  was more solemn wholistically, this album acts as a celebration of his life – aptly named and released for his 32nd birthday. 12 songs, 44 minutes and full of Wretch’s lyrical genius.IMG_9743_0.jpg
He carries the same level of sincerity and honesty as last year… With Songs like “Time“, for example. An honest account. A full unleashing of culminated emotions and you feel every last one wrapped in his words. He vents on his shortcomings as a man and his desire for more time to accomplish the things most dear to him. Performed over simple but beautiful piano chords,  I herald this as the tear-jerker of the album.
But Wretch is in a better place, that’s for sure. He brings his soft side out for the lullaby-esque “Happy“, a song dedicated to love. If you’ve found something special, appreciate it and cherish it forever. J Warner features for your listening pleasure; his soft and dreamy vocals transport you into a place of bliss.
Don’t think he has completely gone soft on us though. He still gives us straight vibes on the leading single “Tell Me” with Jalani and Kojo Funds, a street symphony with a calypso twist and if you haven’t by now, I’m going to have to ask you to listen to “Gracious” one time and understand despite it being a straight banger that pounds through the speakers, the ‘come up’ and becoming a great is definitely not easy.  Wretch and Kojey Radical tag-team on “Colour Purple” which is a different take on pro-black sentiments, less assertive than last year but both artists deliver artistically articulated testimonies on being ‘blacker than black’.
For an album that doesn’t have as such an evident and overarching theme as others in 2017, there is a real emphasis on production; you can really appreciate the layers on certain songs. While possibly unintentional, both projects side by side are symbolic. Growing Over Life was Wretch detailing his pains and struggles. On FR32, he retrospectively looks back; he’s finally free and you the listener can be ‘free too’.

 

These albums were some of my personal favourites that I really enjoyed listening to over the past year. However, some albums which just missed out but should get a mention and should not be slept on include:

DAMN. – Kendrick Lamar (NARROWLY missed out on my comprehensive list, still an INCREDIBLE album)
CTRL – SZA (Also narrowly missed out on my  list)
Fin – Syd
and the Anonymous Nobody… – De La Soul
The Ascension LP – Brik.Liam
Freudian – Daniel Caesar
Kites – Anik Khan

That concludes 2017. Here’s to a more musically bliss year and more amazing work in 2018.