What were you doing at 21? While some are graduating from university or starting their own career, seasoned producer, singer/songwriter and DJ Tom Misch was gearing up to release his debut studio album. A seasoned multi-instrumentalist, it took only one year at a conservatoire of music to realise that bedroom producing would be the avenue he would take in order to achieve his dreams. Now, after working with some amazing talent in front and behind the scenes, we have the culmination of efforts of his several self-released mixtapes and EPs – Geography.
Geography is an album that takes on many of Misch’s different influences. Main elements of Funk and Jazz are staple to his brand but also Soul and Disco in smaller parts cover the breadth of this album. Fans of his, especially long term, will appreciate even the most minute of details.
The intro “Before Paris” is a spoken-word like opener, with an unnamed man speaking on the importance of the art form – a relevant sentiment for an artist like Tom – and serves as of a prelude to set the tone for what essentially is the first track, “Lost in Paris” with a slick contribution from talented Grammy nominated US rapper GoldLink.
Bringing a clever fusion of two differing musical instincts and results in something pretty tasteful. It’s bright and upbeat, driven by eccentric electric guitar chords and groove bass finished with a jazzy brass section that is too die for. For a song that was inspired by losing a hard drive full of music, its surprisingly cheerful.
“South of the River” ‘brings out the boogie’ with a real disco feel, packed with deep lying basslines and accentuated with violins that serve as the icing on the cake – something that in theory shouldn’t work but in reality it does. While there’s nothing disco about South London, Misch does a great job of saluting his hometown.
For how upbeat the album is from the offset and seems to be holistically, it isn’t without it’s slower jams. Take “Movie” for example. It’s eased into from the previous track with a little love story monologue and it then captivates with those trademark guitar inflections set against the soulful vocals from Misch. It also happens to be a family affair with Tom’s own sister, Polly Misch, adding to the blissful atmosphere it creates. Of all the downtempo tracks, probably one of the most powerful.
Another slow song that is worth notable mention is “You’re On My Mind” which for me evokes a warm fuzzy feeling in my core. Acoustic guitars are the perfect accompaniment for Misch’s take on a sweet serenade this time and gives off the perfect summer evenings kind of vibe.
As talented as Tom is and as eccentric the sounds laden on the album may be, it is the features on Geography that really elevate it and make it worth the listen. One being an unlikely pairing of Tom and legendary US Hip-Hop super group De La Soul on “It Runs Through Me”.
A heavily jazz inspired cut, driven by the electric and bass guitars and topped off with bright piano chords. Simple yet soulful and uplifting, the mood transports you to the late night jazz lounges. Props also to De La Soul who definitely make the song extra special, riding the beat bar for bar, making for a poised rap verse.
A couple tracks later, we are treated to hip-thruster that is “Disco Yes” with Poppy Ajuda. It’s undeniable by now that Tom loves his guitars & basslines. With some funky riffs and increased tempo from the previous tracks added to the mix, Poppy Ajudha’s guest vocals merged with Tom’s, it makes for one of the most impressive on the entire record.
For what it’s worth, “Water Baby” I believe is the best track on the album. Tom Misch enlists his fellow South Londoner Loyle Carner in this melting pot of groovy jazz, soul and hip-hop mixture. It’s signature Tom Misch’s style, blending hip-hop beats and soulful melodies, producing an eargasm that finds its place somewhere between passionate head-nodding and casual, easy listening.
“Cos I Love You” serves as the penultimate track and rounds off the Disco bug that Tom evidently caught when making this album as he merges old styles with the new. It’s a mashup, of sorts, with samples and a borrowed chorus tightly wound together to form the most beautifully orchestrated dancing track I’ve heard in a while.
For an album that expertly executes a plethora of different vibes, it does suffer from what I deem as occasional ‘fillers’. While I can acknowledge that “Isn’t She Lovely” – Misch’s take on the Stevie Wonder classic – & “Tick Tock” serve more in the capacity of interlude, they don’t really add much to the flavour and texture of the album.
Having said that,” We’ve Come So Far” is a reasonable way to conclude proceedings as the experimental sounds of Tom’s repertoire progressively build on the track, each layer contributing to the eventual crescendo before fizzling out.
Despite critique, fans can be happy that we now have a full length project from the young singer/beat-maker that they can really stick their teeth into. It covers multiple bases; spanning different vibes and genres means there is something in there for most people. While there isn’t a flowing storyline or explicit theme per say, this can double up also as a portfolio, showing off Tom’s capabilities and emphasising his credibility as a top producer. He can only go from strength to strength from here.